The imaginary landscape interests me the most. Creating it on film is my main concern. This includes not only the images, the details and the light, but also the sounds and noises. When I stand somewhere outdoors, close my eyes and just listen, I also see images that arise in the minds of the viewers and how such images can be created with the means of film. How much or how little do I have to present in images and sounds to create something third that is neither present in image nor sound, but takes shape in the viewer through them?

Fredi M. Murer